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Background[ edit ] Taking as his generic model the Greek bucolic poetry of TheocritusVirgil created a Roman version partly by offering a dramatic and mythic interpretation of revolutionary change at Rome in the turbulent period between roughly 44 and 38 BC. Virgil introduced political clamor largely absent from Theocritus' poems, called idylls "little scenes" or "vignettes"even though erotic turbulence disturbs the "idyllic" landscapes of Theocritus. Virgil's book contains ten pieces, each called not an idyll but an eclogue "draft" or "selection" or "reckoning"populated by and large with herdsmen imagined conversing and performing amoebaean singing in largely rural settings, whether suffering or embracing revolutionary change or happy or unhappy love.
Performed with great success on the Roman stage, they feature a mix of visionary politics and eroticism that made Virgil a celebrity, legendary in his own lifetime. Bucolica, edition Structure and organization[ edit ] Like the rest of Virgil's works, the Eclogues are composed in dactylic hexameter.
It is likely that Virgil deliberately designed and arranged his book of Eclogues, in which case it is the first extant collection of Latin poems in the same meter put together by the poet.
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Although it is thought that Catullus also compiled his book of poetry, it consists of poems written in different meters. The book is arguably based on an alternation of antiphonal poems e. Many of these attempts have been catalogued and critiqued by Niall Rudd. While considering these more plausible than the above, he concluded that "each system has at least one defect, and none is so superior to the others as to be obviously Virgil's own".
Hubbard has noted, "The first half of the book has often been seen as a positive construction of a pastoral vision, whilst the second half dramatizes progressive alienation from that vision, as each poem of the first half is taken up and responded to in reverse order.
The poet makes this notional scion of Jove the occasion to predict his own metabasis up the scale in eposrising from the humble range of the bucolic to the lofty range of the heroicpotentially rivaling Homer: In the surge of ambition, Virgil also projects defeating the legendary poet Orpheus and his mother, the epic muse Calliopeas well as Panthe inventor of the bucolic pipe, even in Pan's homeland of Arcadiawhich Virgil will claim as his own at the climax of his eclogue book in the tenth eclogue.